Using Urban Firework Blasts as VCV Rack Impulse Responses.
One of the beautiful things about convolved spaces is that depending on the frequency range fed into them, they can be quite dynamic. This patch is quite simple but the high pass filter makes a huge difference how that space
Using Urban Firework Blasts as VCV Rack Impulse Responses.
One of the beautiful things about convolved spaces is that depending on the frequency range fed into them, they can be quite dynamic. This patch is quite simple but the high pass filter makes a huge difference how that space
How To Play Fireworks Through A Resonator. The Music In The Film “Breath”
This is a guide to help use VCV Rack to play with the audio and music of my film Breath. It also has a little background on the project. VCV Rack is a free software modular synthesiser. Below you’ll find
How To Play Fireworks Through A Resonator. The Music In The Film “Breath”
This is a guide to help use VCV Rack to play with the audio and music of my film Breath. It also has a little background on the project. VCV Rack is a free software modular synthesiser. Below you’ll find
F.M. Synthesis Data. Digital Preservation, 30+ Years. A Long But Succesful Exercise
Digital data, including synthesiser data is gradually eroded as new incompatible technologies emerge. File formats, storage formats and hardware, all contribute to this erosion. I started using FM in the mid 1980s with the arrival of the Yamaha CX5M. It
F.M. Synthesis Data. Digital Preservation, 30+ Years. A Long But Succesful Exercise
Digital data, including synthesiser data is gradually eroded as new incompatible technologies emerge. File formats, storage formats and hardware, all contribute to this erosion. I started using FM in the mid 1980s with the arrival of the Yamaha CX5M. It
Production Note: Emulating The Sound of Old Tape
Some of the sound and video production features I enjoy using mostly are “distressing” techniques in order to create the illusion of age. In sound, the wow and flutter, crinkle and saturation of tape, all aid in creating a sound
Production Note: Emulating The Sound of Old Tape
Some of the sound and video production features I enjoy using mostly are “distressing” techniques in order to create the illusion of age. In sound, the wow and flutter, crinkle and saturation of tape, all aid in creating a sound
Harrier Bird. The Harrier Jump Jet as a electronic musical instrument
Composing with the Harrier Jump Jet There are many aspects of the Harrier Jump Jet which capture the imagination. One of these is its sound; terrifying, mythical, overwhelming and as in the case of this blog, surprisingly
Harrier Bird. The Harrier Jump Jet as a electronic musical instrument
Composing with the Harrier Jump Jet There are many aspects of the Harrier Jump Jet which capture the imagination. One of these is its sound; terrifying, mythical, overwhelming and as in the case of this blog, surprisingly
Composing Electronic Music Using the Yamaha CX5M 8bit Computer
Human Error and Step-Time Computer Music There are events that can dramatically alter the way you think and work. I became interested in F.M. (frequency modulation synthesis) in the early 80s after being introduced to digital synthesis by
Composing Electronic Music Using the Yamaha CX5M 8bit Computer
Human Error and Step-Time Computer Music There are events that can dramatically alter the way you think and work. I became interested in F.M. (frequency modulation synthesis) in the early 80s after being introduced to digital synthesis by
The influence of Vaggione’s interventionism on the ESE
Horacio Vaggione is an Argentinian composer and a contemporary in the field of computer music that has written many influential essays on compositional methods using computers. His influence is particularly relevant to the field of microsound and the manner in
The influence of Vaggione’s interventionism on the ESE
Horacio Vaggione is an Argentinian composer and a contemporary in the field of computer music that has written many influential essays on compositional methods using computers. His influence is particularly relevant to the field of microsound and the manner in
The Wavehole, the TR808 and the Xenakis Screen
The Xenakis screen The wavehole approach to organising acoustic particles is an adaptation of the Xenakis screen. In Formalized Music Xenakis discusses various methods with which to organise grains of sound. A Xenakian screen is not unlike Gabor’s Matrix (1946). The representation is musical and interpreted differently from the
The Wavehole, the TR808 and the Xenakis Screen
The Xenakis screen The wavehole approach to organising acoustic particles is an adaptation of the Xenakis screen. In Formalized Music Xenakis discusses various methods with which to organise grains of sound. A Xenakian screen is not unlike Gabor’s Matrix (1946). The representation is musical and interpreted differently from the
First ESE Concert. Teatro Principal. Valencia, Spain
The Elementary Signal Engine Concert Tomorrow at 20.00 at the Principal Theatre of Valencia Spain we will perform the first live ESE concert as part of the well known “Nits d’Aielo i Art” festival. We play straight after Nicolas Collin’s
First ESE Concert. Teatro Principal. Valencia, Spain
The Elementary Signal Engine Concert Tomorrow at 20.00 at the Principal Theatre of Valencia Spain we will perform the first live ESE concert as part of the well known “Nits d’Aielo i Art” festival. We play straight after Nicolas Collin’s
Pere Villez - Element433 